BIBLIOGRAPHY

Kuiumchian, Tsovinar. 2025. ‘”My house is full of ghosts”: Textile Archive as Transgenerational Contact Zone.’ Paper presented on the work of Deborah Valoma at the 14th Annual International Graduate Student Workshop in Armenian Studies: The Archive in Theory and Practice in Armenian Studies, Center for Armenian Studies, University of Michigan, Ann Arbor, MI.

Adamson, Glenn. 2020. Volume 50: Chronicling Fiber Art for Three Decades. Wilton, CT: Brown/Grotta Arts (catalogue #46).

Eiseman, Leatrice. 2018. Blue/Green: Color Code Context. Wilton, CT: Brown/Grotta Arts (catalogue #44).

Dormor, Catherine. 2017. “Book Review Scrape the Willow Until It Sings: The Words and Work of Basket Maker Julia Parker, Deborah Valoma, Berkeley: Heyday, 2013.” Textile: Journal of Cloth and Culture 15 (3): 1-4.

Rothstein, Scott. 2016. Artboom: Celebrating Artists Mid-Century, Mid-Career. Wilton, CT: Brown/Grotta Arts (catalogue # 41).

Argo, Elizabeth R. 2014. Of Two Minds: Artists Who Do More Than One of a Kind. Wilton, CT: Brown/Grotta Arts (catalogue #38).

Warnecke, Lauren. 2014. “Hedwig Dances Marks Territory at Links Hall.” See Chicago Dance (online).

Stanton, Jill. 2013. “Scrape the Willow Until It Sings: The Words and Work of Basket Maker Julia Parker.” Webzine of the Conference of Northern California Handweavers (online).

Smith, Sid. 2012. “Striking, Minimalist Works from Hedwig Dance.” Chicago Tribune (online).

Wittenburg, Zachary. 2012. “Hedwig Dances Vanishing Points.” Time Out Chicago (online).

Milosch, Jane. 2011. Stimulus: Art and its Inception. Wilton, CT: Brown/Grotta Arts (catalogue #36).

Felciano, Rita. 2010. "Goldies 2010: Ramón Ramos Alayo." Guardian 45: 5.

Macaulay, Alastair. 2009. “San Francisco, Thinking Globally, Acting Locally.” New York Times, June 23.

Lanker, Brian. 2008. Shall we Dance. Forward by Maya Angelou. San Francisco: Chronicle Books.

Harmanci, Reyhan. 2008. “Haiti: CubaCaribe Spotlights Dance.” SF Gate (online).

Rykwert, Joseph, and David Revere MacFadden. 2007. The Grotta House. New York, NY: Rizzoli.

Kieffer, Susan Mowery, ed. 2006. 500 Baskets. Ashville, NC: Lark Books.

Shaw, Madelyn, and Kate Irvin. 2006. Beyond Weaving: Internationals ArtTextiles. Wilton, CT: Brown/Grotta Arts (catalogue #33).

Leventon, Melissa. 2005. Artwear: Fashion and Anti-Fashion. London: Thames and Hudson.

Sozanski, Edward J. 2005. “Not Just Domestic, but Aesthetic.” Philly.com, July (online).

Rykwert, Joseph and David Revere MacFadden. 2004. The Grotta House. Rizzoli.

Weinstein, Dave. 2004. “Basket weaver represents the best of American Indian Tradition.” San Francisco Chronicle, The Arts, F7, October 1.

Weinstein, Dave. 2004. “Basket Maker Represents the Best of American Indian Tradition.” SF Gate (online).

Avila, Susan Taber. 2003. “Looming Large: Contemporary Weavers of the Vanguard.” Surface Design 28 (1): 48–49.

Bulwa, Demian. 2002. “Common Threads Binds Weavers.” San Francisco Chronicle, September 20 (online).

Novakov, Anna. 2002. “What Wondrous Webs They Weave.” Diablo Arts, October–December, 26–29.

Erikson, Arthur. 2001. Wired: Fiber-Optic Weavings and Wire Sculpture. Wilton, CT: Brown/Grotta Arts (catalogue #31).

­­­­­­­_______. 1999. “Portfolio.” American Craft 59 (2): 67.

Slesin, Susan. 1998. “Artistry in Residence.” House & Garden, August.

Ling, David. 1998. Art of Substance. Wilton, CT: Brown/Grotta Arts (catalogue #21).

_______. 1998. Three California Basketmakers: Hildebrant, Mulford, Valoma. Wilton, CT: Brown/Grotta Arts (catalogue #20).

_______. 1997. 10th Wave Part 1: New Baskets and Freestanding Sculpture. Wilton, CT: Brown/Grotta Arts (catalogue #17).

Stevens, Rebecca, and Yoshiko Iwamoto Wada, eds. 1996. The Kimono Inspiration. Washington DC: The Textile Museum.

_______. 1996. “New Voices in Weaving.” Shuttle Spindle & Dye Pot 27 (4): 33–35.

_______. 1995. Art Now. Gallery Guide, Southwest Edition, December (cover image).

Hedstrom, Ana Lisa. 1995. “Emerging West Coast Artists.” Fiberarts 19 (4): 36–44.
_______. 1991. "Black and White." Zone, Arizona Arts and Culture 4: 14.
Fruchtman, Rob. 1990. “Art to Where?” Fiberarts 17 (2): 32–38.

Wittonborn, Paul. 1989. Art Forms and the Body. Los Angeles, CA: Wittenborn & Hollingsworth.

Greenberg, Blue. 1989. “Finery: An Exhibit of Wearable Art,” Fiberarts 16 (1): 56–57.

Grubb, Barbara Ward. 1988. Finery. Introduction by Jean L. Druesedow. Raleigh, NC: Visual Arts Program, North Carolina State University.

Image Collections

Bibliography



BIBLIOGRAPHY

Kuiumchian, Tsovinar. 2025. ‘”My house is full of ghosts”: Textile Archive as Transgenerational Contact Zone.’ Paper presented on the work of Deborah Valoma at the 14th Annual International Graduate Student Workshop in Armenian Studies: The Archive in Theory and Practice in Armenian Studies, Center for Armenian Studies, University of Michigan, Ann Arbor, MI.

Adamson, Glenn. 2020. Volume 50: Chronicling Fiber Art for Three Decades. Wilton, CT: Brown/Grotta Arts (catalogue #46).

Eiseman, Leatrice. 2018. Blue/Green: Color Code Context. Wilton, CT: Brown/Grotta Arts (catalogue #44).

Dormor, Catherine. 2017. “Book Review Scrape the Willow Until It Sings: The Words and Work of Basket Maker Julia Parker, Deborah Valoma, Berkeley: Heyday, 2013.” Textile: Journal of Cloth and Culture 15 (3): 1-4.

Rothstein, Scott. 2016. Artboom: Celebrating Artists Mid-Century, Mid-Career. Wilton, CT: Brown/Grotta Arts (catalogue # 41).

Argo, Elizabeth R. 2014. Of Two Minds: Artists Who Do More Than One of a Kind. Wilton, CT: Brown/Grotta Arts (catalogue #38).

Warnecke, Lauren. 2014. “Hedwig Dances Marks Territory at Links Hall.” See Chicago Dance (online).

Stanton, Jill. 2013. “Scrape the Willow Until It Sings: The Words and Work of Basket Maker Julia Parker.” Webzine of the Conference of Northern California Handweavers (online).

Smith, Sid. 2012. “Striking, Minimalist Works from Hedwig Dance.” Chicago Tribune (online).

Wittenburg, Zachary. 2012. “Hedwig Dances Vanishing Points.” Time Out Chicago (online).

Milosch, Jane. 2011. Stimulus: Art and its Inception. Wilton, CT: Brown/Grotta Arts (catalogue #36).

Felciano, Rita. 2010. "Goldies 2010: Ramón Ramos Alayo." Guardian 45: 5.

Macaulay, Alastair. 2009. “San Francisco, Thinking Globally, Acting Locally.” New York Times, June 23.

Lanker, Brian. 2008. Shall we Dance. Forward by Maya Angelou. San Francisco: Chronicle Books.

Harmanci, Reyhan. 2008. “Haiti: CubaCaribe Spotlights Dance.” SF Gate (online).

Rykwert, Joseph, and David Revere MacFadden. 2007. The Grotta House. New York, NY: Rizzoli.

Kieffer, Susan Mowery, ed. 2006. 500 Baskets. Ashville, NC: Lark Books.

Shaw, Madelyn, and Kate Irvin. 2006. Beyond Weaving: Internationals ArtTextiles. Wilton, CT: Brown/Grotta Arts (catalogue #33).

Leventon, Melissa. 2005. Artwear: Fashion and Anti-Fashion. London: Thames and Hudson.

Sozanski, Edward J. 2005. “Not Just Domestic, but Aesthetic.” Philly.com, July (online).

Rykwert, Joseph and David Revere MacFadden. 2004. The Grotta House. Rizzoli.

Weinstein, Dave. 2004. “Basket weaver represents the best of American Indian Tradition.” San Francisco Chronicle, The Arts, F7, October 1.

Weinstein, Dave. 2004. “Basket Maker Represents the Best of American Indian Tradition.” SF Gate (online).

Avila, Susan Taber. 2003. “Looming Large: Contemporary Weavers of the Vanguard.” Surface Design 28 (1): 48–49.

Bulwa, Demian. 2002. “Common Threads Binds Weavers.” San Francisco Chronicle, September 20 (online).

Novakov, Anna. 2002. “What Wondrous Webs They Weave.” Diablo Arts, October–December, 26–29.

Erikson, Arthur. 2001. Wired: Fiber-Optic Weavings and Wire Sculpture. Wilton, CT: Brown/Grotta Arts (catalogue #31).

­­­­­­­_______. 1999. “Portfolio.” American Craft 59 (2): 67.

Slesin, Susan. 1998. “Artistry in Residence.” House & Garden, August.

Ling, David. 1998. Art of Substance. Wilton, CT: Brown/Grotta Arts (catalogue #21).

_______. 1998. Three California Basketmakers: Hildebrant, Mulford, Valoma. Wilton, CT: Brown/Grotta Arts (catalogue #20).

_______. 1997. 10th Wave Part 1: New Baskets and Freestanding Sculpture. Wilton, CT: Brown/Grotta Arts (catalogue #17).

Stevens, Rebecca, and Yoshiko Iwamoto Wada, eds. 1996. The Kimono Inspiration. Washington DC: The Textile Museum.

_______. 1996. “New Voices in Weaving.” Shuttle Spindle & Dye Pot 27 (4): 33–35.

_______. 1995. Art Now. Gallery Guide, Southwest Edition, December (cover image).

Hedstrom, Ana Lisa. 1995. “Emerging West Coast Artists.” Fiberarts 19 (4): 36–44.
_______. 1991. "Black and White." Zone, Arizona Arts and Culture 4: 14.
Fruchtman, Rob. 1990. “Art to Where?” Fiberarts 17 (2): 32–38.

Wittonborn, Paul. 1989. Art Forms and the Body. Los Angeles, CA: Wittenborn & Hollingsworth.

Greenberg, Blue. 1989. “Finery: An Exhibit of Wearable Art,” Fiberarts 16 (1): 56–57.

Grubb, Barbara Ward. 1988. Finery. Introduction by Jean L. Druesedow. Raleigh, NC: Visual Arts Program, North Carolina State University.